We’re starting to see characters who are appearing more and more beaten down by their years of crime and wrongdoings. You can see signs of anti-hero fatigue in newer movies and shows. However, audiences appear to be ready for something new. Anderson have carved entire careers telling stories of complex anti-heroes to critical success. It’s been over twenty years since Tony Soprano made his first appearance on television screens. It seems every lead character now needs to be slightly depraved and lack a moral compass.Ī New Age of Sincere Heroes Jason Sudeikis portrays a more positive, yet still flawed, type of hero in Ted Lasso. However, while anti-heroes have enjoyed commercial and critical success, they’ve also perhaps oversaturated the film medium. Partly based on the success of The Sopranos and Tony’s morally-challenged character, anti-heroes would become all the rage for serious-minded television dramas and feature films for the next decade.
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Tony is a complex lead character who tries to balance being a good husband, father, and son against his life of organized crime full of murder, theft, and other wrongdoings. One of the best examples of a popular modern anti-hero might be the character Tony Soprano from the HBO television show The Sopranos. By the 1980s, 1990s, and early 2000s, these new characterizations of our heroes were quite intriguing to audiences. In many ways, these challenges turn the myth on its head by making characters worse versions of themselves by the end.įor decades, viewers had simply been overexposed to bland do-good heroes from genre films like westerns and action movies. However, over the years filmmakers and show creators challenged elements of the growth and goodness of these heroes. Still, as the hero is defined in the hero’s journey, our protagonist is meant to face challenges, overcome obstacles, and objectively grow as they complete their quest or travels. His work in the 1940s studying myths and heroes has pretty much informed every story and film since. If you aren’t familiar with Joseph Campbell, his concept of the monomyth, and The Hero with a Thousand Faces, then you should absolutely read up on it. The history of the hero-or the protagonist-in a film is usually closely tied with the hero’s journey. However, while it may seem that every character you see in film and on television these days is an anti-hero, it’s also important to note that this wasn’t always the case. Heroes Throughout Cinema History Luke Skywalker is the perfect example of a classic hero built on Joseph Campbell’s Hero’s Journey formula.
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Modern anti-heroes include examples like Don Draper ( Mad Men), Walter White ( Breaking Bad), Daniel Plainview ( There Will Be Blood), and Lorraine Broughton ( Atomic Blonde).Īnd, if you’d like to focus on anti-heroes for your films, here’s everything you need to know about how to develop an anti-hero for a project of your own. We’ve seen these anti-heroes throughout history, but they’ve been particularly notable in film and television in recent years. We might all strive to be perfect, but more often than not, we act out of self-interest or in other ways that go against these classic heroic ideals. While it might seem strange at first to have heroes who aren’t always morally correct, in many ways anti-heroes are a more truthful representation of actual humans. According to wikipedia, these include attributes such as “idealism, courage, and morality.” Unlike traditional heroes of film, literature, and myth, an anti-hero is any hero or lead character who lacks conventional heroic qualities. So, before we dive in further, let’s define an anti-hero first. Anderson directing Daniel Day-Lewis in his portrayal of the infamous anti-hero Daniel Plainview in There Will Be Blood. Let’s explore this new age of anti-anti-heroes.
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There are glimmers of a new dawn for the anti-anti-hero, a lead character full of altruism and good-naturedness. However, it’s worth noting that after years of getting darker and darker anti-heroes in film and television, there may be a new ray of hope for our leading characters. Maybe these questions will never have answers. Is this just the world we live in? Do we want our lead characters and blockbuster heroes to be objectively terrible people, or do we simply want them to be complex and reflective of society? And, for the most part, we as filmmakers and the consuming public have been eating it up. Why do we love heroes that we love to hate? The trend for some time now in film and television has been to tell the stories of complicated, compromised, and sometimes downright awful characters. Is this new age of anti-anti-heroes a real trend? Or is it just a lost mirage of a darker turn for those favorite heroes we love to hate?